Manuela Accinno, “Cover Story - JAMIE LUOTO the reappropriation of the body as a condition of existence”, Hestetika Magazine, November 3, 2025
“Navigating the Darkness: Jamie Luoto’s Psychological Landscapes”, Trebuchet Online, August 22, 2025
Juliane Rohr, “Feminist and Queer Battle Zones,” Kunstforum International, Issue 302, May/April 2025
Ruth O’Sullivan, “Trauma & The Body: The Making and Unmaking of Individual Experience,” Trebuchet Magazine, Art & Psychology, Issue 16, 2024
Esther Lundgren, "Vulnerability, Resistance, and Uncomfortable Questions - Tonia Nneji and Jamie Luoto, Berlin," Trebuchet Online, July 22, 2024
Olga Campofreda, “Look at Me or I’ll Kill You”, d la Repubblica, July 26 (in-print) and July 30, 2025 (web)
All SHE Makes, Spring Issue 6, 2023
Kendra Smith, "SF's biggest exhibit in years, The de Young Open, is closing this Sunday," SF Gate, December 31, 2023
John Seed, “An Egalitarian Art Salon at San Francisco’s De Young Museum”, Hyperallergic, Oct 18 2023
A Portfolio: Jamie L Luoto
Staff, Sept 11, 2023
On today's A Portfolio, in the midst of such a busy and crazy few weeks to kick off a new season of exhibitions, we look at Healdsburg, California's Jamie L Luoto's "I Believe in Ghosts" series.
In her artist statement, Luoto says:
I believe in ghosts. I believe those who weren’t and won’t be believed. I see the ghosts that haunt us.
This series of painted self-portraits give a first person survivor’s account to create a deeply intimate encounter between artist, subject, and viewer. I bring to light the aftermath of sexual assault by illuminating the lasting psychological impact of repeated sexual trauma on an individual. The “me too” movement exposed the breadth of sexual violence — this work reveals the depth to which these acts of violence and the accompanying dismissal, disbelief, and shaming impact individuals.
In these works I explore my psyche and experience with complex post-traumatic stress disorder (C-PTSD), blurring the line between external presentation and internal reality to bring to light the unseen injuries of sexual trauma that invade and haunt mind and body. Symptoms such as flashbacks, nightmares, dissociation, and intrusive thoughts and images are suggested using mirrors, portraits within portraits, and phallic forms, such as condoms and erect sheets, which materialize as ghosts throughout the work. At times the ghosts’ presence takes on a swarm-like quality, suggesting a looming threat. Felines act as familiars; bearing witness and embodying the subject’s emotional state.
Using the visual language of European masterworks, I manipulate the familiar to reframe classic imagery and narratives. I invoke the spectacle of visual pleasure as a means to beguile the viewer while encircling them with an undercurrent of perverse imagery. Together the collective body of work functions as an installation intended to actualize an experience akin to the inescapability of living in a body haunted by sexual trauma.